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Victorian Steampunk in Central Park

June 16th, 2009

One outing I did manage to make during my hiatus was a picnic held in Central Park in May. It ended up being more of a challenge then expected, as I chose to drive in to NYC and that was the day there was a car fire in the Lincoln tunnel. Some some 2+ hours later I finally emerged on the green about an hour into the meetup.

Complete set at flickr
After settling in and catching up with everyone it was time to get down to business and many photos were taken. Mr Falsken and Ayleen moved over to some rocks for a few shots, where they immediately took the high ground for shots that came out unintentionally looking a bit Firefly

Always take the high ground

Steampunk picnic


Then on to some group shots:

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Mr Wahnsinger

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Amy and Ali each posed on the bridge

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See the rest at the flickr set

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Back from SNAPmup

June 14th, 2009
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I had a great time yesterday attending the SNAP Alt Couture photo session in Bayonne, NJ. Britney of Berit New York, who I worked with at Wicked Faire, and Emilie Jerard brought some amazing stuff, and all of the model were great to work with. Pictures, of course, will be forthcoming.

If you’re coming here because we met at the shoot, welcome!

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Where’s Tyrus?

June 10th, 2009

Ok, so I’ve had one quick post in the last 3 months.

I recently started a new project that has kept me very busy, and I have been away from many things including much of my online life. What could be so time consuming ? Fatherhood :)
Yes, In March we added a new addition to our household, and while he hasn’t completely monopolized my time, a combination of things have. But this project wil last for a very long time, so I am slowly returning to the digital world and learning to adjust.

I expect to start posting back here again. As far as new material goes, I attended an event a few weeks ago which is currently moving up to flickr. I also have a few thing coming up over the next few weeks that I am looking forward to.

Finally, I hope to expand things a bit here. I’ve been focused on the steampunk and cosplay stuff, but I started this blog figuring I could cover many more aspects of my photography, so that should start working its way in soon too,

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Mad Scientists in the Gatehouse Gazette

May 6th, 2009

The photo below was published in the current issue of The Gatehouse Gazette. It is an online magazine focusing on the genres of Steampunk and Dieselpunk out of the UK. Issue six was just released with an article on Mad Scientists by Hilde Heyvaerton on page 11. Accompanying the article is one of my photos, taken of Doktor Von Crankenshaft and GD Falksen. Fine examples if I do say so myself.

I haven’t had a chance to read the issue yet, but I plan to this week. But what I’ve seen so far looks good, so take a look.

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We’ll be back after these messages

March 23rd, 2009

Things have been a little slow here over the last week. There are some really big things going on at home right now over in the real world, so I expect that I will be updating very sporadically, if at all, for the next week or two still. But I am still here.

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Eyes

March 16th, 2009

Tavern Steampunk shoot Part 2

March 13th, 2009
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I finished processing the photos from the Tavern Shoot at Wicked Faire:

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Read more

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How to take better photos at conventions

March 9th, 2009

Over time, I’ve been asked for advice on taking pictures, or had friends lament that their photos didn’t come out well after a con. So I thought I would give a try writing up my experiences in hopes that it helps someone. I figured that a good place to start would be with a general overview. In the future I may go into different areas in more detail.

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A well taken photo shot just outside of the hotel. Good locations can be anywhere.


Con photography isn’t much different from taking pictures at any other event or trip. If you take a little extra time to take your shots, you will end up with much better results. I’m going to break down the process into 4 categories: Camera, Lighting, Composition, and Posing.

1. Know your camera. Fancy expensive cameras don’t guarantee better photos. In fact, if you don’t know how to use them, they might actually make it more difficult because you have more options to understand. Unless you are looking to make large prints or shoot in difficult conditions, a point and shoot digital camera will handle most of your photos just fine. The important thing is to understand how it works, and most importantly, what it’s limitations are.

Does it shoot poorly in lowlight? Use the flash if needed or take it outside. Do all of your flash photos come out washed out? You’re standing too close or have the flash on too high. This is a good example. With my camera I have figured out a good distance for my flash to work properly. If you know that your flash is too bright within 5 ft and too ineffective after 15ft, try to always stand about 10ft away. It seems like a small detail, but it helps.

Summary: Take some test shots and learn how your camera functions.

2. Lighting. This is probably the most important thing to learn in photography, and the most difficult. Most cameras will adjust as needed to the available light. But if it is too dark and you don’t use the flash, the camera will need to hold the shutter open for a long time. This is often the cause of blurry photos.

Photography at its most basic is all about light. If you have good lighting you’ll have a well exposed photo, and almost any camera produced today can figure out if it has enough light So let’s break it down into two very broad categories where you will have problems

Not enough light. If don’t have enough light one of two things will happen. Unless it’s turned off, the flash will fire to bring light up to an acceptable level. This will usually provide a decent shot, though see above about knowing how flash photos come out. . If the flash is turned off, then the camera will keep the shutter open long enough to let in enough light for a good exposure. Unfortunately, if it’s open for more than 1/60th of a second, there will likely be too much shake thatyou get a blurry photo.

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No flash resulted in a blurry photo

Too much light.
Doesn’t seem like this should be a problem, but over exposing a photos is as big, if a lot less common a problem as underexposing. This can happen if your flash is too strong or you’re too close to the subject. It also happens outdoors if you are shooting in the sun. This produces very hard shadows and severe contrast between the light and dark portions of the photos. If you are shooting outside look for a shady place.

Summary: Shoot where there is good light if possible, like outside. Flash photos tend to be rather harsh but are likely your only option indoors otherwise.

3. Composition generally refers to the items that make up you photo and where they are placed. Look for a clean area to shoot without a lot of distractions. If people are walking by try to wait until no one is right behind the subject. If you can, move to a better location. Sometimes moving only a few feet to the right or left give you a better background.

You also need to remember that a photo is two dimensional. That light post 20 feet behind your subject will be sticking out of their head in the photo. It takes some practice but you will eventually see more things that might ruin a photo before you take it.

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This shot of Vera Vanguard was ruined because of the guy in the yellow shirt. Fortunately I saw this and took another.

Summary:. Be aware of your surroundings, look for a better background for your photos, and wait until your photos clears of people if possible.

4. Posing. Since con photography is likely that of people, I’m adding this in as the 4th item. It won’t affect the quality of the photo itself, but it may affect how interesting it is, or how the person looks. If you can, ask your subject to pose, or give them a moment to get ready. Most people in costume will happily pose for you, and may even have a few ready. Some are open to being posed. However, let me make a very important point.
Be polite. Ask nicely, and if the costumer is busy or not interested, move on. You could just have bad timing.

There’s a lot more to taking photos, but I think these simple rules will help with most of the shots you might take. And one more thing, if you have a digital camera, review your photos. You should be able to tell if you need to retake a shot right then and there. And have fun!

Conventions

Tavern Steampunk shoot Part 1

March 5th, 2009

Sometimes planning a photo shoot can take weeks, even months. If you’ve ever tried to setup something with a diverse group of people, you understand. But every once in a great while, things just happen. And it did at Wicked Faire. It started simply enough that Tom of Brute Force Leather wanted to do a shoot. Then we picked up some more people and went location scouting, and finally we managed to end up invited to shoot inside the irish pub in the hotelI have to say that the staff of the restaurant was amazing toward us, as we were in the way taking pictures while they were trying to do their job.

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I need to license this shot to Guinness

These kinds of shoot are often the best. Everything was relatively spontaneous, or at least we were planning it out as the shoot progressed. Ideas get tossed around. “We’re in a bar, we need to do a fight scene!” (Those pics are coming). It also seemed to be a lot of fun for the pub’s patrons. While many where con goers, some definitely weren’t. The table next to us were having a great time and snapping picks of the whole affair.

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Lots of stuff goes on at this Tavern apparently. Arm wrestling is common. I’ve heard this gentleman has never been beaten. Or spilled his drink.

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See the rest after the cut

Conventions, Photo, Steampunk

Tavern shoot preview

March 4th, 2009

Wow, did I get busy over the last few days. I’m a little behind so here’s a preview of the next shoot I will be posting up.

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